Worldbuilding Articles: Reader Poll

Something a little unusual for this week!  Work’s going ahead on Book 3, and progressing well at the moment – I’m currently finishing up the first section, and should be sending it out to my beta readers shortly.  In the meantime, I’m planning out which worldbuilding articles about the Inheritance of Magic setting to put out next.  The ‘Phase 1’ articles were the nine ones that I’ve written already;  now that the basics are covered, I’m moving on to Phase 2.

However, when I tried to come up with a first rough list of the topics to cover for Phase 2, it turned out to be long.  Very long.  I spent a little while trying to decide which to focus on first, before it occurred to me that since I’m mainly doing these for the interest of my readers, I might as well go ahead and ask you.  So here we go!

My current working list for Phase 2 articles is as follows:

  • Branches of Drucraft
  • Light
  • Light Sigls
  • Matter
  • Matter Sigls
  • Motion
  • Motion Sigls
  • Life
  • Life Sigls
  • Dimension
  • Dimension Sigls
  • Primal
  • Primal Sigls
  • The Five Limits
  • The First Limit:  Euler’s Limit
  • The Second Limit:  Primal Limit
  • The Third Limit:  Blood Limit
  • The Fourth Limit:  Limit of Creation
  • The Fifth Limit:  Limit of Operation
  • Measuring Scales:  Faraday vs Universal
  • Houses of the United Kingdom:  The Great Houses
  • Houses of the United Kingdom:  The Lesser Houses
  • Houses of the United Kingdom:  The Minor Houses
  • The Exchange
  • Advanced Sensing
  • Advanced Channelling
  • Advanced Shaping
  • Limiters
  • Shapers and Manifesters
  • Country Affinities
  • Corporations of the United Kingdom
  • Corporations of Europe
  • Corporations of the USA
  • Sigl Fashion

As I said, it’s a long list.  Even if I was putting out one of those a week and doing nothing else, it would take a full 34 weeks . . . and in practise the number is likely to be a lot bigger than that, since I usually only put up worldbuilding articles once a fortnight or so.  So realistically, this is likely to last well into 2025.

What I’d like you guys to do is leave a comment on this blog post with the items from that list you’d be most interested in seeing.  Single favourites are fine, Top 3 or Top 10 is fine, but no more than 10 items, please.  Also, if there are topics that you’d like me to cover that aren’t on that list, feel free to add as write-ins.  I’ll generally consider pretty much anything as a viable topic, so long as it doesn’t strike me as particularly boring or likely to count as a major spoiler.

Note that in the long term I’m probably going to do every item on this list one way or another;  this poll is just to figure out which order to do them in (and whether to put any other items on the list ahead of them).

And that’s it!  Post your requests below.

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Alex Verus #11 in Germany

Alex Verus #11, Forged, is out in its German edition as of last week.  The Alex Verus books have been translated into quite a few languages by this point, but it’s been the German translation that’s been the most successful, and this year the last book is due to be translated and released.  It’ll be the first time one of my series has been fully translated, which is a small (but nice) milestone for me.

Book #12 ought to be coming out in about six months or so, after which my German publisher is going to get to work on translating and then releasing An Inheritance of Magic too!

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A Beginner’s Guide to Drucraft #9: Shaping

The third, last, and hardest of the drucraft disciplines, shaping is also the rarest.  Channellers aren’t exactly common, but they’re not that hard to find;  learning to channel is slow and difficult, but anybody who works at it long enough and hard enough can become a channeller eventually, and at the higher ranks of Houses and drucraft corporations, basically everyone can channel.  Shaping is a totally different story.

There are two reasons that shapers are so rare.  First, going from channelling to shaping requires a drucrafter to pick up a new skill;  the ability to manipulate and work with free essentia.  “Free essentia” is just the drucraft term for regular essentia – the kind that isn’t attuned to anyone, but is floating around in the air or resting in Wells.  A drucrafter can attune it by taking it into their body, but shaping even the weakest of sigls requires vastly more essentia than any living creature’s body could possibly hold.  This means that the only way to shape a sigl is to learn to use free essentia . . . which is a problem, since directly controlling essentia that hasn’t been attuned to you is impossible.

The way shapers get around this problem is to use indirect control instead.  They learn to use their personal essentia to set up currents, causing the free essentia to be drawn in and concentrated.  Shapers sometimes describe this as ‘painting’, where the shaper’s personal essentia is the paintbrush, or as a ‘whirlpool’, where the free essentia is visualised as a vortex, or even as ‘birds following a leader’ or ‘flock of sheep and a sheepdog’.  The fact that they have to come up with such weird metaphors to explain it is a hint as to the inherent difficulty of the task.  Most channellers find it mind-bendingly impossible at first, and it doesn’t help that most drucrafters are rather bad at sensing, having skipped those parts of the drucraft curriculum to get to that part where they can use magic as quickly as possible.  A drucrafter can get away with this as long as they stick to basic channelling – if all you’re ever planning to do is use not-too-complicated sigls that other people have made for you, then an understanding of your own personal essentia is all you really need.  But it’s woefully inadequate for shaping.

Assuming that a channeller can get past this first hurdle, the next step is to learn to shape an essentia construct.  A construct is basically a blueprint for a sigl, created out of thin strands of essentia, and if you can make a construct for a sigl, you can make the sigl . . . in theory.  In practice it’s quite a lot more difficult than that, partly because making an actual sigl is much more stressful and demanding on one’s shaping skills, and partly because it’s actually quite difficult to know whether you’ve made the construct correctly.  Analysing an essentia construct requires very good sensing skills, so it’s easy to create a construct with a giant flaw that you’re totally unaware of until you try to shape it for real.  This is where a good teacher is enormously helpful – a shaping tutor can analyse a student’s essentia construct and identify such flaws, speeding up the process massively.

Once a would-be shaper has learnt to manipulate free essentia, and can reliably make an essentia construct, the next step is to scale things up.  At this point, paths split.  The “traditional” approach is for a shaper to continue to practise with constructs, making them larger and denser, until they start to work directly with Wells.  This process, however, is quite slow and demanding, and in recent decades it has become more and more common for shapers to focus on training with limiters instead.  Limiters greatly simplify the shaping process by offloading most of the hard work onto the drucrafter who created the limiter.  It does mean that you can’t make a sigl without having the right limiter, but nowadays most Houses and virtually all corporations use this method exclusively, considering the loss in flexibility an acceptable trade-off for the reduced cost and difficulty of training the shaper in the first place.

But even with the limiter method, these costs and difficulties are not small.  The unfortunate fact is that no matter how much they train and practise, every shaper fails their first real shaping attempt.  Most fail their second, third, fourth, and fifth attempts, too.  And this is a problem, because shaping a sigl requires Wells, and Wells cost money.  The easiest way to learn to shape sigls is to practise on a powerful, stable, permanent Well, with a lot of time to try things out and make mistakes . . . but the sort of people who own such Wells are very unlikely indeed to be happy about some newbie messing with them, particularly since it’s entirely possible to damage a Well if you misuse it badly enough.  The most likely way a novice shaper is going to get access to such a Well is if it’s one that their family (or sponsor) owns already.

All of this is a long way of saying that learning to become a shaper is typically very expensive;  training a shaper has a high up-front cost, and someone is going to have to pay it.  Typically that someone is going to be a sponsoring organisation, whether a House or a corporation.  It’s possible to learn shaping without the backing of such an organisation . . . it’s just significantly harder.

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Off Sick

Had been planning to do the Shaping article this week, but I’ve come down with a nasty bug and it’s taking all I’ve got to keep up work on the book.  On the plus side that’s making decent progress (first chapter is about done).  Shaping article should be up next Friday!

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New Year, New Books

In to 2024!  Here’s what to expect for the next few months.

Right at the moment I’m once again busy with edits on An Instruction In Shadow;  specifically, first-round edits from my UK editor.  Usually I do my US and UK edits side by side, but in this case the UK ones arrived a little later, meaning that I’ve had to put Book 3 on hold briefly while I finish this up.  Luckily, just like before, these edits are extremely quick and easy and I’m expecting to have them done by the end of the weekend so that I can get back to my main job.

That job is, of course, writing Book 3 in the Stephen Oakwood series.  I’m currently a few pages in and busy plotting out the first couple of chapters;  it’s got a long way to go but I’m always much happier once the first page is done, so I’m hoping to keep up a decent pace.  This is going to keep me busy for around the first half of the year.

As for this blog, my main project (aside from the usual updates) is going to be more Beginner’s Guide to Drucraft worldbuilding articles.  First on the to-do list is the article on shaping, and after that I’m probably going to go into a mini-series on the six drucraft branches.  That’ll probably keep me busy until well into the spring.

And that’s it!  I’ll post news as and when I get it, but you can probably expect edits on Book 2, a first draft of Book 3, and worldbuilding articles on this blog to be pretty much all of my output for the forseeable future.

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The End Of 2023

So we’re finally coming to the end of the year!

This year has been a very mixed one for me.  Professionally, everything has been great – An Inheritance of Magic was released to good early sales, and I wrote and edited Book 2 in the series, An Instruction in Shadow.  That book is now with my publishers, and I’m gearing up to start Book 3;  if all goes to plan, it should be finished by midsummer of next year.

Outside of my writing, things have been more difficult.  I don’t generally talk about my personal life on this blog, but the short version is that I had some family losses in 2022-2023, and most of the past year and a half has been spent dealing with the consequences.  It’s led to a situation where my professional career is going great, but I haven’t really been in a position to enjoy it.  Unfortunately, this isn’t likely to change any time soon.  Perhaps by this time next year things will have stabilised, but perhaps not.

For those who are wondering, this isn’t likely to slow down my writing – more the opposite, if anything.  I’m the kind of author who tends to use my writing to work through whatever’s currently preoccupying me, with the result that if I’m going through a difficult time, I’m actually likely to end up spend more time working, rather than less.

In any case, I hope you all have had a good Christmas and that your 2023s have gone well.  Next week’s blog post will be some announcements about what I’ve got coming in the next few months, so I’ll see you all in the New Year!

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Merry Christmas!

And it’s that time once again.  Merry Christmas to everyone as 2023 comes to an end.  Next week’s post will be a wrap-up/look-back on the year, so see you then!

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Inheritance of Magic – French Edition!

Some good news for this week – An Inheritance of Magic is getting a French translation!  The publisher is Bayard Editions, and they’re hoping to publish in October 2025.  The German translation has been in production for a long time, so it’s nice to have a second European translation to go with it.

As regards future books, An Instruction in Shadow is sitting with my publishers at the moment, waiting to move on to the next stage of edits.  I’m still working on my plans for Book 3, and hoping to start around the end of the year.

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A Beginner’s Guide to Drucraft #8: Channelling

In the eyes of most, channelling is the point at which one becomes a ‘real’ drucrafter. Someone who can only sense is technically a drucrafter, but they’ll never get much respect until they learn to channel as well.

At its core, channelling is just mastery over personal essentia. All living creatures have a personal essentia reserve – the essentia that drifts naturally into their body and attunes to them. This essentia is very limited, but it constantly replenishes itself as more flows in. Attuned essentia has a connection to the person it is attuned to – it can be used to activate sigls, and, with practice, can be controlled.

Learning to control one’s personal essentia is a slow process, but it’s not as hard as sensing. Once a drucrafter has learnt to feel their own personal essentia the toughest part has already been done – they still need to learn to direct it, but the fact that they can get feedback on their efforts and see/sense/feel when something is and isn’t working makes the process much, much easier than it would be if they had to fumble blindly. It’s much like learning how to use a muscle – it takes a long time, but ultimately it’s just a matter of practice, and just as a baby eventually learns to use their hands to grasp and manipulate things, a drucrafter eventually learns to move and control their own personal essentia, clumsily at first but with greater and greater confidence and dexterity the more they practise.

Being able to control one’s personal essentia is necessary for drucrafting because most sigls don’t work on their own. A minority of sigls, known as continuous sigls, activate automatically simply by being worn on the body – they will naturally pull in personal essentia and keep on pulling in more and more of it until they hit their limit. However, this is an extremely crude and mindless way of activating a sigl, and carries significant drawbacks. A sigl can’t think, and has no way of knowing when it’s the “right” time to activate itself, which means continuous sigls will keep on trying to work no matter the situation. Sometimes this is simply annoying, such as a light sigl shining in broad daylight, and sometimes it’s actively harmful, such as a strength sigl amplifying your muscles when you’re trying to do something delicate. On very rare occasions it can even be actively dangerous – draining your personal essentia too far for too long has various negative health effects, particularly if a drucrafter is already sick or injured. In addition to this, many drucraft effects require far too much fine control to work as a continuous sigl – as a rule, anything more complicated than “on or off” is not going to be a good choice for continuous operation.

For these reasons, most sigls are designed instead to work on a trigger. Triggered sigls stay inert until a matching flow of personal essentia is channelled through them, at which point they activate. The essentia flow works as an on/off switch – supplying essentia turns it on, cutting off the flow turns it off. Many sigls also are designed to work with varying levels of power – these sigls, sometimes called “variable sigls”, allow a channeller to achieve a very easy level of control over the sigls’s power by increasing or decreasing the essentia flow.

Many sigls, however, require much more complex inputs than simply increasing or reducing the power. Effects such as optical cloaks, spatial manipulation, jump and flight spells, or healing all require quite precise and varied inputs from the drucrafter – the sigls are typically designed so as to accept slightly different types of essentia, channelled in different ways. Mastering these sorts of sigls requires both broad channelling skill (to reach a certain level of finesse and precision with essentia flows in general) and also specialised knowledge of the sigl in question (which typically can only be achieved with practice). While a competent channeller can figure out how to use a basic triggered or variable sigl in a matter of minutes, the more complex sigls can require weeks or even months to achieve any real mastery.

There is no real cap on the level of skill that can be attained with channelling, and for those who decide to devote themselves to it, mastering it is a lifetime’s journey. This, however, is very rare – the vast majority of channellers learn as much as they need to operate the sigls they have, then stop.

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Inheritance of Magic 2, Inheritance of Magic 3

First-round edits on Inheritance of Magic 2 (a.k.a An Instruction in Shadow) are done!  Manuscript was emailed off to my editors as of yesterday.

Finishing the first-round edits is the point at which a book really becomes ‘settled’ in my mind.  The first draft takes much more work, but until the first-round edits are agreed on and completed, the book is still somewhat fluid.  There’s always the possibility that the editor will want big changes, or they’ll point things out that make me decide on big changes.  Once the first-round edits are done, that’s no longer true.  The manuscript will still be revised quite a bit in the copy-edits stage, but the fundamental story won’t be.  The version of An Instruction of Shadow that I sent off yesterday will be >95% the same as the version that you guys will be able to read next year.

Which means that it’s time to get started on number 3!  I’m hoping to start writing the first draft around the end of the year, with the aim of finishing in summer 2024.

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