A Beginner’s Guide to Drucraft #41:  Country Affinities

‘Affinity’ can mean two things in a drucraft context.  Usually people use it to mean an affinity with one or other of the branches;  the same thing that makes it so much easier for a drucrafter to shape a sigl of one branch, as opposed to another.  However, it can also refer to the drucrafter’s affinity with a country.

Branch affinity and country affinity are similar in theory – they’re both a measurement of a drucrafter’s compatibility with a certain type of essentia – but work quite differently in practice.  Branch affinities are largely inborn, and somewhat unpredictable.  Although they do seem to be weakly inheritable – a drucrafter from a family with a strong Light tradition is statistically more likely to have a Light affinity – the correlation is not perfect, and it’s common for drucrafters to have at least one unusual affinity or disaffinity that seems to have come more or less from nowhere.

By contrast, country affinities are extremely predictable.  If a drucrafter grows up in a region, then they will invariably have a strong affinity for the essentia of that particular place.  This seems to be a natural consequence of the way essentia works;  all living creatures unconsciously take in, assimilate, and release essentia in a constant process.  As part of this, their bodies become accustomed to the quality and idiosyncrasies of the essentia in that particular place.  For the most part, this happens in the background and goes completely unnoticed;  it only becomes relevant when a drucrafter travels somewhere else, and suddenly has to adapt to essentia of a different kind.

Adjusting to a change in local essentia (sometimes referred to as ‘essentia shock’) is not difficult or dangerous, but it is disorienting.  This disorientation has a particularly pronounced effect on drucrafters with strong sensing skills;  the more sensitive they are to changes in background essentia levels, the more they’ll notice the difference.  A drucrafter with terrible sensing, on the other hand, is unlikely to notice much, since they’ll only really register the essentia once their body has assimilated it into personal essentia, by which point most of its unique features will have been overwritten anyway (one of those cases where ignorance is bliss).  In either case, the change usually doesn’t cause serious problems.

However, there is one situation where essentia shock does become a serious problem:  shaping sigls.  A shaper, when creating a sigl, has to manipulate free essentia from the surrounding environment without assimilating it first.  In this case, unfamiliarity with local essentia becomes a massive handicap, and for an unwary shaper is likely to cause a shaping to end in total failure.

The simplest solution to this problem for a prospective shaper to work with a local.  A shaper ‘guide’ can assist with the acclimatisation process, helping the new arrival become accustomed to the differences.  A limiter also largely bypasses the issue, since in this case the limiter’s creator will have done most of the hard work already (though having someone familiar with local conditions will still help).

The slower, though more thorough, option is for a prospective shaper to simply stay in the place long enough to become familiar with it.  However, this can take a long time.  Most manifesters argue that it takes a minimum of six months to a year to become familiar with a really different essentia environment, and mastering it can take considerably longer.

NB:  Though referred to as ‘country’ affinities, these affinities are not dependent on political borders.  For relatively small countries, this doesn’t make much difference, as the distance between two spots within the country will rarely be large enough for the local essentia to vary dramatically.  However, for really big countries, such as China, Russia, or the USA, it’s quite possible for native drucrafters to experience essentia shock just by moving from one end of their home country to the other.

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First Section

First three chapters of Book #5 in the Inheritance of Magic series are done.  This is much faster than usual for me (I only sent off the manuscript for book #4 three months ago), so I’m quite happy!

No other news except that I’ve got a new computer, which means I’ve had to update my word processing software for the first time in several years.

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Moving Along

Things are continuing as before.  Book #5 is making good progress.

Still haven’t heard from my publishers.  I think this might be the longest I’ve waited for a set of edits.

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Under Way

Book #5 of the Inheritance of Magic series is going well!  I’ve got about two chapters done and should finish the third by around the end of the month.

Still haven’t had the edits back on Book #4.  At this point it’s been radio silence for two and a half months, which is longer than usual – in the past I would have been very stressed out by this, since I would have felt that I couldn’t start the next book until I was completely done with the previous one, but since I’m going with my new approach of “whatever, I’ll just keep writing and things will sort themselves out somehow” I’m far more relaxed about it.  It’s actually rather nice;  I think I’ll keep doing my books this way from now on!

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Alex Verus Promotion – Cursed

For those who don’t have it already, the second Alex Verus novel, Cursed, is currently being promoted as an Amazon Kindle deal.  It’ll be $1.99 until the 18th of January.  (The offer is US and Canada only, as far as I know.)

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Inheritance of Magic – Plans for 2026

Hope everyone’s New Year went well!  I had a good break and now I’m back to work.  Here’s what’s going to be happening with the Inheritance of Magic series in 2026.

Inheritance of Magic #4 is still with my publishers.  I haven’t heard anything from them for a while, but as of the last time we talked, the plan is still to release around 3rd November 2026.  Of course, this assumes there aren’t any major delays or issues with rewrites, but the last couple of books didn’t have any massive problems as far as that went, so I’m hopeful that the same will be the case this time.

One slight issue is that I still haven’t had the first-round edits back for book #4.  (For an explanation of what ‘first-round-edits’ are, look here.)  The amount of time my editors take to get back to me with their edits varies – sometimes I get them back in only a month, sometimes it’s longer, and in this case, it’s been longer.  In the past I’ve often been a bit annoyed by this, since it’s left me in the position of wanting to start the next book, but feeling like I can’t do so until the last book is finalised.  This time, I’ve decided to take a different approach and just start book #5 anyway.  Which has actually been going very well – I got a lot of notes written over the December period, and started writing on the 3rd of January.  So far I’m about 8 pages in, which isn’t very much in the grand scheme of things, but is actually quite a big deal for me.  I often find that two of the bigger hurdles in a new book are writing the first words, and finishing the first page – getting past both of those often takes me a long time, so I’m very happy to have them both done.  If I can keep up this pace I’ll actually have the first 3-chapter section finished by the end of January, which would make me very happy.

Of course, this all assumes that I’m not changing anything major in book #4.  But at this stage of my career I’m a lot more confident in my writing than I was in the early stages of the Alex Verus series, which makes me more willing to look at a newly-finished manuscript and decide ‘this is basically good’.  So I’m not expecting to be doing a big rewrite of Inheritance of Magic #4 in the way I did with Alex Verus #1 and #5.  I will have to make some changes, which will probably take a fair amount of time, but with a bit of luck I might be able to do those alongside writing IoM #5.  I’ve generally found it very doable to do the copy-edits for a previous book while working on the first draft of the new one;  I’ve never tried doing the same for first-round edits, but it can’t hurt to try!  At worst I’ll have to pause Book #5 for a bit while I take care of Book #4, in which case I’ll at least have made a bit of progress.  At best I might be able to do them in parallel, which might be a long-term solution to the slowdown problem that I wrote about back in November.  If I can overlap ‘first-round-edits on book X’ with ‘first draft of book X+1’, then that’ll speed up my per-book writing time by a good few months, which could actually get me back up to 1 book a year again.

. . . Hopefully.  This is all still very speculative.  But it’s worth a go!

So for now, I’m going to keep working away at Book #5 while waiting to hear back from my editors about Book #4.  I’ll let you know once I do!

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Happy New Year!

Hope your New Year’s went well, and that 2026 is starting off on a good note for you all!

I had a quiet holiday season;  not too much news to report for now.  We’re getting into the lead-up period to me starting work on Book 5, but I’ll write a more detailed overview of how things are looking for the Inheritance of Magic series next week (when hopefully I’ll have heard something from my publishers).

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Merry Christmas!

Hope that you had a good Christmas yesterday, and that the rest of your holiday season is a good one!

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Interview is live

Podcast interview is up!  You can watch it here.

Not too much news on my end.  Edits for book 4 haven’t come in yet, so I’m starting plans and notes for book 5.  Hopefully the book 4 edits will be relatively easy ones, so I’ll be able to get them out of the way quickly and move onto the next volume.

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Recovered & Interview

Mostly recovered from my cold, and did a podcast interview with the guys on Keep Em Talking Joe.  They’ve told me that it should be going live on Monday, so I’ll put up a link when it is!

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